Sony G Master FE 16-35mm F/2.8 Lens "Open Box"
Sony FE 16-35mm f/2.8 GM II Lens The Ultimate Ultra-Wide, Ultra-Light Professional Zoom The Sony FE 16-35mm f/2.8 GM II is a monumental achievement in optical engineering that completes Sony's second-generation...
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Sony FE 16-35mm f/2.8 GM II Lens
The Ultimate Ultra-Wide, Ultra-Light Professional Zoom
The Sony FE 16-35mm f/2.8 GM II is a monumental achievement in optical engineering that completes Sony's second-generation "holy trinity" of f/2.8 G Master zooms. By completely redesigning the optics and autofocus mechanisms of the beloved original version, Sony has created the world's smallest and lightest full-frame f/2.8 wide-angle zoom lens.
Weighing just 19.3 ounces (roughly 20% lighter than its predecessor) and shrinking in physical length, this lens completely eliminates the heavy, front-heavy fatigue traditionally associated with professional wide-angle glass. Whether you are a landscape photographer hiking to distant vistas, an architectural shooter capturing sweeping interiors, or a filmmaker balancing the camera on a lightweight gimbal, this lens delivers breathtaking edge-to-edge sharpness without holding you back.
Why You'll Love This Lens
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The World's Smallest & Lightest: At just 19.3 oz (547g) and measuring 4.4 inches long, this is an incredibly travel-friendly lens. It perfectly balances on compact Sony mirrorless bodies, making it a joy to carry on a neck strap during all-day shoots or travel excursions.
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Breathtaking G Master Sharpness: Packed with extreme aspherical (XA) and Super ED glass elements, this Mark II version boasts significantly improved corner-to-corner resolution. It meticulously controls chromatic aberration and distortion, ensuring your landscapes and cityscapes are staggeringly sharp even when shot wide open at f/2.8.
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Blazing Fast 4-Motor Autofocus: Upgraded to use four of Sony's XD (Extreme Dynamic) Linear Motors, the autofocus is up to twice as fast as the original version. It is whisper-quiet and tenaciously tracks fast-moving subjects for photography, while delivering perfectly smooth, cinematic focus pulls for high-end video recording.
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Dedicated Manual Iris Ring: A massive upgrade for hybrid shooters, this lens adds a physical aperture (iris) ring directly on the barrel. It features a de-click switch that allows filmmakers to pull exposure smoothly and silently while rolling video, bringing cinema-lens ergonomics to a standard zoom.
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Incredible Close-Focusing: It boasts a highly impressive minimum focusing distance of just 8.7 inches (0.22m) across the entire zoom range. Combined with the fast f/2.8 aperture and an 11-blade circular diaphragm, you can capture dramatic, wide-angle close-ups with incredibly smooth, creamy background blur (bokeh).
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Optimized for Video Production: Sony engineered this lens to dramatically reduce "focus breathing" (the distracting zooming effect that occurs when changing focus). It also features a carefully balanced design where the center of gravity shifts very little while zooming, meaning you don't have to constantly re-balance your motorized video gimbal.
Technical Specifications
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Specification |
Detail |
|---|---|
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Focal Length |
16-35mm (approx. 24-52.5mm equivalent on APS-C) |
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Maximum Aperture |
f/2.8 |
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Minimum Aperture |
f/22 |
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Format Compatibility |
Full-Frame (Sony E-Mount) |
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Lens Construction |
15 Elements in 12 Groups |
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Special Elements |
3 XA, 1 Aspherical, 1 Super ED, 2 ED, Nano AR Coating II |
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Image Stabilization |
No (Relies on camera body IBIS) |
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Autofocus Motor |
Quad XD Linear Motors |
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Minimum Focus Distance |
8.7 in / 0.22 m (across entire zoom range) |
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Maximum Magnification |
0.32x |
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Filter Thread Size |
82 mm |
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Dimensions (Diameter x Length) |
3.5 x 4.4 in / 87.8 x 111.5 mm |
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Weight |
19.3 oz / 547 g |
Things to Note
Because it is an absolute optical powerhouse that represents the pinnacle of Sony's engineering, the FE 16-35mm f/2.8 GM II carries a top-tier professional price tag (typically retailing over $2,200). It is a serious investment designed for working professionals and uncompromising enthusiasts whose livelihoods depend on optical perfection.
While the lens does zoom internally for the most part, the front element does extend and retract very slightly as you change focal lengths. However, the movement is so minimal that it generally does not affect gimbal balance.
Finally, unlike some of Sony's longer telephoto G Master lenses, this ultra-wide zoom does not feature built-in Optical SteadyShot (OSS). For handheld photography at slow shutter speeds or walking video footage, you will need to rely heavily on your camera body's In-Body Image Stabilization (IBIS) or Active Mode stabilization.
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